Showing posts with label Cultural anxiey. Show all posts
Showing posts with label Cultural anxiey. Show all posts

Sunday, September 30, 2012

The Reality of a Pandemic: An Anxiety Uniting Cultures


     Released in 2011, Contagion is a movie about how society reacts to a virus, MEV-1, that quickly becomes a global pandemic. Internet exploration tells me that Scott Z. Burns, the writer of the story, was fascinated with the transmission of infectious disease. He extensively researched how societies deal with epidemics by contacting health organizations such as the CDC. Diseases like Spanish Influenza and Malaria have certainly made their mark throughout the history of mankind, causing more casualties than wars and threatening entire populations. It was only three years ago that Swine Flu threatened our society for the second time since causing damage in 1976, a reality that makes this Sci-Fi thriller seem like non-fiction.
     Communities are depicted in an apocalyptic state, robbing grocery stores and fighting against one another in lines for medications. The fast rate in which the virus was spreading causes a breakdown of social order and poses moral dilemmas on the doctors of health organizations. For example, a member of the CDC informs his wife to leave the city before the public has any knowledge of quarantine. In hopes of providing a cure to the public fast, another member of the CDC illegally injects herself with a research vaccine. When an employee of the WHO has the fate of his village in his hands, he kidnaps and exchanges his colleague for vaccines. Wouldn't it be fair to say that these morality-questioning examples cause anxiety in our current culture when we think about the plausibility of the circumstances?
A Biological Monster: Micrograph of Smallpox Viruses
     Much of our society opposes extreme governmental control, yet government agencies are the only hope for survival in Contagion. An anti-government conspiracy theorist, with a blog, becomes very popular among civilians when he advertises what he thinks to be a treatment for the virus hidden by the government. As distrust erupts when he exposes some of their selfish acts, the government is concerned about this private-sector endorsement of a treatment with zero medical clearance. Like us, Burns was utterly aware of the consequences of epidemics, and his story represents potential problems our culture would face in the presence a biological monster.