In Paul Bowle’s peculiar story “A
Distant Episode,” he uses vivid detail and imagery to tell his story.
Throughout the entire story, the detail that struck me most was when the author
first described the west. “The west…smelled of other things besides the endless
ozone of the heights: orange blossoms, pepper, sun-baked excrement, burning
olive oil, rotten fruit.” These sensory details help the reader understand the
protagonist’s journey from one area to another. Since the details are from the
middle of his journey they illustrate the good—orange blossoms, pepper,
gradating to the bad—sun-baked excrement, burning olive oil, rotten fruit,
which seems to foreshadow the direction of the story.
StateSymbolsUSA.org |
In
this story the concept of "the other” is strongly addressed. In this case “the other” is the
professor. To illustrate the theme of “the other,” imagery, language, and
culture are utilized. For instance, it is made very clear on the professor’s
trip to get a Camel Udder Box that the professor didn’t have any clue about the
terrain of the area. To further illustrate the professor as “the other,” the
author included a conversation between the professor and his guide, in which,
he says, “Everyone knows you… I wish everyone knew me,” which clearly
demonstrates the professor being alienated from everyone and thus “the other.”
Throughout
the story, the landscape clearly foreshadows the professor’s decline.
Specifically, the further the professor ventures into the dark—the unknown, and
harsher terrain the more animal like and disoriented he becomes until he
finally is assaulted, and taken into slavery.
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On
a personal level, I have not had an experience similar to the professor in the
beginning of the story but I have gone on a somewhat similar journey. This summer
I spent a half a week in Venice, Italy. I arrived around 11:00pm and
immediately searched for my hostel. Since there are hardly any street signs in
Venice this was a difficult task. After asking numerous people and getting
contradicting directions I wandered down a dark alley and found the address.
However, I had misread the directions. I actually had to go to a restaurant
where the hostel owner worked to check in. So I once again wandered around the
dimly lit streets of Venice. Eventually, I found the right place and was
escorted by two large men to the hotel. While on the way there I began to
question on whether or not these guys were associated with the hostel and where
they were taking me. For a brief moment I panicked inside my head while we went
down a dark ally way and into a sparsely labeled building. But once I found out
they were legitimate I felt a sense of relief. Although the outcome was worlds
away from the outcome in “A Distant Episode,” I feel that I can relate to the
Professors sense of anxiety when he doesn’t know where he is being led or what
might happen.
I can completely relate to your situation in Venice. I spent a year in Italy and ran into various questionable situations of that nature that brought on so much uncertainty and anxiety. However on a broader note, and maybe this is just me, but I believe that the fear of “the other” is present in all areas of our lives. I’m sure each of us has made a decision we were anxious about because we’re unsure on whether or not it was the right one, and how it would affect us in the long run. In my eyes, the “other” could be a representation of our futures as well.
ReplyDeleteI agree the Professor is "the other" as he is different from the natives. His desires led him to deal with the criminal element which led to disasterous results. This also sets him apart as "the other" because no natives would deal with these criminals or even allow them inside the city limits. Could his actions in the beginning be a foreshadowing of his fate to come?
ReplyDeleteJust out of curiosity, when you experienced being the "other" in Venice, what were some of the things you remember most vividly recollecting your search for you hostel? I am sure there are distinct smells that could take you back to that moment and the feeling of being lost and an outsider if you smelled them again. I think Bowle's detailed description of the smells is an attempt to draw empathy from readers who know how scents seem to stick in the brain long after events have passed. I know that when I smell certain smells, I am taken back to another time. If I smell Avon Skin So Soft bug repellent, I am immediately reminded of my great aunt and uncle and time spent on their ranch as a child.
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